PJAS 7-8
Józef Jaskulski
Dissecting the Commodified: The Frontier as Hyperreality in Robert Altman’s Buffalo Bill and the Indians
Polish Journal for American Studies, vol. 7 (2013), pp. 103-115
Keywords: Western cinema, hyperreality, postmodernism, Robert Altman, Buffalo Bill
DOI: 10.7311/PJAS.7/2013.08